Monday, August 27, 2018

cinema obscura: James Salter's "Three" (1969)

It's a thankless exercise for even the most astute filmmaker to delve into iconic material - material already perfected by another filmmaker.

Case in point #1: François Truffaut's "Jules et Jim" (1962)

Case in point #2: Paul Mazursky who, perhaps foolheartedly, challenged himself with the langorous relationship among two men and a woman in "Willie and Phil" (1980), despite the looming presence of  "Jules et Jim."
Mazursky wasn't the only one. In 1969, novelist James Salter directed "Three," his first - and only - film in which jetsetter Charlotte Rampling seductively drifts around hugely photogenic Mediterranean locations, distracting college buddies Sam Waterston and Robie Porter. The film follows them as they eat, drink, tour and flirt around the subject of sex.

It's about the simple of joy of just hanging out.

Salter, a "writer's writer," is someone whose name still intrigues cinéphiles, despite his modest output. He wrote the stories on which Dick Powell's "The Hunters" (1958), Stacy Cochran's "Boys" (1995) and Sean Mewshaw's "Last Night" (2004) were based. He penned the scripts for Sidney Lumet's "The Appointment" and Michael Ritchie's "Downhill Racer" (both 1969 releases) and Richard Pearce's "Threshold" (1981). He also collaborated on the script for Gregor Nicholas's "Broken English" (1996).

And that's it.

Salter, who died in 2015 at age 90, went to school with fellow writer Jack Kerouac. His pedigree was enviable, his rare film work eclectic.

Regarding Comments: All comments are enthusiastically appreciated but are moderated before publication. Replies signed "unknown" or "anonymous" are not encouraged. Please sign any response with a name (real or fabricated) or initials.  Be advised that a "name" will be assigned to any accepted post signed "unknown" or "anonymous."

Thank you.

~image~

~Sam Waterson, tall and dark, and Robie Porter, blond and hunky, with dream girl Charlotte Rampling in James Salter's lost film, "Three"
~photography: United Artists 1969©

8 comments:

Jeff said...

Amen, Joe. I like the Lumet and Ritchie films that Salter wrote. Wish he had written more. Never knew about "Three," but it sounds like one of those titles just about impossible to see.

johnny said...

Charlotte Rampling is one of those actresses that just gets better looking with age.

Kent said...

Having read and enjoyed Salter, I can see him as a filmmaker. He has the aesthetic sensibility needed to direct films. This one sounds like an indie version of "Two for the Road."

Kevin Barry said...

Thanks, Joe, for the reminder. I haven't thought about this film in years. There's a good copy on YouTube:

https://m.youtube.com/watch?v=BiaJZcfhfVQ#fauxfullscreen

joe baltake said...

Thanks, Kevin! Terrific tip. -J

Kiki said...

I remember reading about the Mazursky film and "Three" when they came out and I didn't go see then because my first reaction was, "not another 'Jules et Jim'! Why imitate "perfect.'" Which is why they ended up on Cinema Obscura while "Jules et Jim" remains in the pantheon of great films. And speaking of your site where Natalie Wood's image forever appears...there was a blurb in the press this week that a witness professes to hearing her screaming the night she died. Are they ever going to let her RIP or continue the whodunit - Wagner or Walken or both?

joe baltake said...

Kiki- This on-going Natalie Wood thing has me perplexed, too. Why??? Why – what is it? – 30 years or so later? Who cares? I don’t – and I was obsessed with Wood. This is a new trend – digging up ancient cases to investigate. Which costs loads of $$$$. Why not spend that money on reuniting those unfortunate families? Why not? Because they are unimportant in the scheme of things. American royalty (read: show biz people) is all that really matters, even someone who has been dead for decades. -J

Joy Boy said...

Nat-a-lie Wood...
My heart's devotion...
Let her sink back in the ocean!